Fine Arts

About Us

 

Faculty

Anna Hudson

BFA (Concordia), MPhil (Glasgow), MA, PhD (Toronto)

Associate Professor, Department of Visual Art & Art History, Full Time
Associate Dean, Students, Recruitment, Alumni
Faculty of Fine Arts

ahudson@yorku.ca

Anna Hudson is an art historian, curator, writer and educator specializing in Canadian art and visual culture. Formerly associate curator of Canadian Art at the Art Gallery of Ontario, she brings to her teaching extensive hands-on experience in institutional curatorial practice.

Dr. Hudson is currently leading a major Social Sciences and Humanities Research Council of Canada Partnership Grant project titled “Mobilizing Inuit Cultural Heritage: a multi-media/multi-platform re-engagement of voice in visual art and performance” with 10 researchers – including Professor Susan Dion in the Faculty of Education and Professor Angela Norwood from the Faculty of Fine Arts – and nine partner organizations. The goal of the project is to conduct collaborative research on the contribution of Inuit visual culture, art and performance to Inuit language preservation, social well-being and cultural identity. The project builds on “Breaking the Boundaries of Inuit Art: New Contexts for Cultural Influence,” a previous SSHRC supported project for which she and her research team organized School’s Out -- a four-day workshop and two-day concert in Iqaluit, Nunavut (celebrating National Aboriginal Day and the end of the school term), co-produced by Alianait Arts Festival.

Dr. Hudson’s curatorial credits include the international touring show Painting Canada: Tom Thomson and the Group of Seven (with Ian Dejardin and Katerina Atanassova, for the Dulwich Picture Gallery, London, UK); inVisibility: Indigenous in the City, part of INVISIBILITY: An Urban Aboriginal Education Connections Project (for the John B. Aird Gallery, Toronto); The Nude in Modern Canadian Art, 1920-1950 (with Michèle Grandbois, for the Musée national des beaux-arts du Québec); and the AGO exhibitions Woman as Goddess: Liberated Nudes by Robert Markle and Joyce Wieland and Inuit Art in Motion (co-curated with Laakkuluk Williamson Bathory).

Professor Hudson continues to pursue research in the area of her doctoral dissertation, Art and Social Progress: the Toronto community of Painters (1933-1950). Her most recent publications include “Jock Macdonald’s weave of reality” (forthcoming 2014), “Time and Image: Picturing Consciousness in Modern Canadian Painting” (2013), “Stepping into the Light of Clark McDougall’s Landscapes” (2011) and “Landscape Atomysticism: A Revelation of Tom Thomson” (2011).